Jillian Ludwig
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Fam Farm
  "Fam Farm" reflects the loss of natural farming within westernized culture. Genetic modification, factory farming, as well as deceitful packaging and misguided labeling results in confusion and a disconnection between customer and the source of their food. This series of drawings attempt to playfully addressing these concerns.    
         
       
 

Une Obsession Tranquille
  “Une Obsession Tranquille” considers the clichés and perversions within the confines of monogamous love, given the freedoms to share ones unadulterated and absolute self unconsciously.    
         
       
 

Prickled Lilly Perch
  "Prickled Lilly Perch" is a series of richly detailed graphite drawings exposing my curiosity, fear, and love for the unusually beautiful, the eventuality of death, and the possible silence upon such heavy thoughts.    
         
       
 

This, That
  "This, That, Add or Subtract" explores human deformities and extreme physical differences in hopes of examining: isolation as a human condition, physical beauty within a westernized mainframe, and the psychological weight of human choice's upon physical distortions.    
         
       
 

Plastic Naziism
  "Plastic Naziism: The Perversion of Intention and Impossible Diversion,"
harmonizes, compares, and examines the physical and psychological similarities and differences between patients of plastic surgery and causalities of war.  
 
         
       
 

Tumor, Plant
  "Tumors, Plants" is a specific examination themed upon the possibility of any element having a conflincting moral opposition. Here I attempt to make visual the implications of two growths. Plant-like forms suggest life and positive expansion, while the tumor-like forms imply death and fear.